Newly Published Manuscript from High-Security Prison Challenges Time and Highlights Chilean Political Memory

The manuscript On the Subversive Vertigo of a Wandering Lineage by Guillermo Ossandón Cañas and Juan Aliste Vega remained outside the publishing circuit for nearly three decades. Compiled clandestinely in prison in 1998, the book is now publicly available for the first time, recovering an unpublished piece of prison literature and Chilean political memory.

Newly Published Manuscript from High-Security Prison Challenges Time and Highlights Chilean Political Memory

Original article: Manuscrito escrito en la Cárcel de Alta Seguridad durante los años ’90 se publica por primera vez


Rarely does a book redefine the time of its own creation. This is the case with On the Subversive Vertigo of a Wandering Lineage, a manuscript secretly crafted in a High-Security Prison by Guillermo Ossandón Cañas and Juan Aliste Vega, two members of the MAPU-Lautaro, who wrote this booklet while serving sentences during the 1990s.

Compiled in 1998 through handwritten notes, typewriting, and mimeographed reproduction, the text circulated only among family, close friends, and fellow militants affiliated with MAPU-Lautaro. For nearly 30 years, it remained secured away from the publishing circuit. Now, the edition released by Agnición Ediciones marks the first time this work reaches the general public.

«What you hold in your hands lacks a genre classification,» the authors warn at the beginning of the manuscript. This statement introduces the hybrid nature of a work that defies any established categorization.

Far from being merely a historical document, the manuscript transcends conventional taxonomies. Blending poetry, manifestos, autobiography, science fiction, political reflection, and visual experimentation, it creates a narrative where the experience of incarceration transforms into literary creation.

Its pages articulate a unique language that interweaves humor, desire, memory, political critique, and vibrant imagination, making the book a distinctive piece within the late 20th-century Chilean literary landscape.

Two Authors, One Shared Memory

The authors hold significant positions in the country’s recent history. Guillermo Ossandón Cañas (1953-2009), known as Diego Carvajal, was a founding member of the Youth Movement Lautaro and the Secretary General of MAPU-Lautaro. A sociologist and political leader, he developed substantial writings during his imprisonment, where literature became a means of political reflection and resistance.

Juan Aliste Vega, on the other hand, joined the Youth Movement Lautaro at a young age and has since cultivated a writing style marked by memory, time, and the enduring impact of political and prison experiences, themes that permeate much of the manuscript.

Beyond its literary singularity, the book serves as an exceptional testimony to one of the most intricate moments in the country’s recent history. Written while the democratic transition solidified its institutional narrative, the manuscript provides an inside view from the prison and one of the most active political-military organizations of the time.

However, far from being limited to historical chronicle, the work transforms the prison experience into a reflection on memory, language, and the potential to envision alternative futures. As the authors write: «Disappearing ideas in press-tele-prisons-laws-dogmas-numbers-statistics…», a phrase that encapsulates the critical tone of a writing that resists oblivion and the closure of the past.

The Birth of a New Collection

The publication launches Mimeógrafo, a new collection from Agnición Ediciones dedicated to recovering texts that remained unpublished or never reached print.

Its editorial proposal aims to rescue manuscripts of historical, literary, or cultural significance that were suspended due to the conditions of their production.

As the editors note, the collection is created to facilitate the encounter between «the stains of the manuscript and its current reading», understanding each book as a space where memory is not only read but also observed in its material traces.

On the Subversive Vertigo of a Wandering Lineage is the first volume in a collection that aims to reintroduce documents, works, and writings that have remained outside the Chilean editorial realm for years.

Almost 30 years after it was written, this book definitively leaves its clandestine roots to enter the Chilean editorial heritage.

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