Iván Nilo Hernández, hailing from Laja, transforms the magic of medieval epic tales, enriching them with local geographical and identity references to create a niche for himself on bookshelves, blending dreamlike suspense with an upcoming collection of stories inspired by Chilean mythology.

Artists such as Guillermo Núñez, Francisco Brugnoli, Valentina Cruz, Virginia Errázuriz, and Cecilia Vicuña are featured in "Pop Art and Popular Culture in the Long Sixties in Chile: 1959-1973," a collective research project exploring the unique emergence of this art form and its intersections with popular culture during the 1960s and the tumultuous years of the Unidad Popular, a period marked by significant social changes. The book includes over 200 images of artworks and a timeline.

Under the direction of Eduardo Fuenzalida and Sebastián Carez-Lorca, the play will run from October 8 to 17 at the Teatro Camilo Henríquez.

With three stages, 40 bands, and four national awards, the MUDA Festival on October 3 and 4 at the National Stadium Park offers a rich cultural experience featuring live music, discussions with political and cultural figures, performing arts, heritage gastronomy, a tribute to Palestine, and a free platform mapping Chile's memory sites.

Months of preparation and networking are finally coming to fruition for a group of artists and cultural managers as nearly 100 printed art projects will fill the Museum of Contemporary Art at Parque Forestal for the "Materia Impresa" fair, taking place from October 2 to 4, 2026.

Anton Gudim, the Russian illustrator known for his thought-provoking comics, shares his fascination with the contradictions of modern life as he prepares to visit Chile for the first time.

From Buenos Aires and Madrid, Editorial Sigilo has built a catalog that bridges new Latin American voices, translations, and authors like László Krasznahorkai. Co-founder Maxi Papandrea discusses neighborhood bookstores, economic crises, collaboration networks, and the challenge of sustaining an independent publishing house against corporate logic.

On Saturday, September 26, a large crowd gathered at Plaza La Paz in Recoleta to participate in the 14th edition of the concert ‘A Thousand Guitars and a Thousand Voices for Victor Jara,’ paying homage to the icon of Chilean music and culture.

The Carnival, which began in 2013 through the Artistic and Community School of Lo Espejo, was initiated by local residents along with participants from various neighborhoods in Santiago to create a heartfelt and significant tribute to memory.

Following its debut at the 2026 Festival Off Avignon, The Best Magic Trick Ever Seen by Leyla Selman arrives from Concepción, along with The Trial of Democracy by the Interdisciplinary Collective Experiencia Humana from Valparaíso. These productions are part of "Santiago is not Chile," a cycle aimed at enhancing the circulation of regional performing arts and actively contributing to the decentralization of theater across the nation.