The "Dame la Mano" festival aims to reinterpret Gabriela Mistral's legacy from a contemporary perspective, emphasizing her role as an educator and her connection to rural communities. Thus, more than just a cultural event, it serves as a space where art, education, and community converge.

Only four performances of "Mister Shakespeare" return, the latest one-man show written and performed by psychiatrist and actor Marco Antonio De la Parra, directed by Pablo Schwarz. The performances will be held at Teatro Finis Terrae from March 26 to 29.

The tattoo critiques the government's slogan "working for you," questioning who is truly being served and who that 'you' is, especially considering that the working class sustains the state through taxes and debts.

This absurdist play uses the iconic Plaza Baquedano monument in Santiago as a stage for a dramatic comedy that is as bewildering as Chile itself. The cast includes María Elena Duvauchelle, Roberto Poblete, Paula Sharim, Daniel Muñoz, Nicolas Zárate, and Camila Oliva, under the dramaturgy and direction of Emilia Noguera.

This artistic intervention by Pablo Schalscha, inspired by local weaving traditions and popular festivities, invites everyone to celebrate collaboration and reciprocity in uncertain times. The event is scheduled for Saturday, March 28th, starting at 10 AM.

The book invites readers to connect with contemporary poetic prose, where the landscapes of Tomé and its coastal identity serve as pathways to activate collective memory and connection, while navigating the intimate, everyday realms of childhood, affections, and nature. It also integrates sound through an audiobook created by La Gaviota Podcast, providing inclusive access to the poetic experience.

Award-winning composer Camila Vaccaro, recognized as Best Singer-Songwriter at the Pulsar Awards 2024, is set to perform with her band Los Reales on Thursday, March 26, at 8:30 PM in Sala SCD Egaña, as part of a program fully dedicated to women. "The Cabinet of the Condemned" is a musical and performative project honoring seven women from different eras in Chilean history, whose lives were affected by social, judicial, religious, or media condemnation.

Among the featured productions is "Parecido a la felicidad," by legendary Chilean playwright Alejandro Sieveking, which premiered on September 12, 1959, under the direction of Víctor Jara. This acclaimed work returns to the national stage directed by Moira Miller and La Mafia Teatro.

The closure of the program hosted by Freddy Stock, after seven years on air, prompted reactions within political and media circles. The lack of clear explanations and the critical nature of the show raise questions about the reasons for its cancellation.

Published by Editorial Trayecto, this book invites readers to traverse a runway between the personal and the collective, where social denunciation retains its emotional weight. With honesty and vulnerability, this work expands the horizons of contemporary Chilean poetry, rescuing the beauty found in the marginal and the unclassifiable.